Fashion School Tips: 5 Tips for Success

The idea of fashion school might seem like a catwalk, but in reality a degree in fashion is extremely demanding, rigorous and competitive. By following these five fashion school tips for success, you will be well on your way to a degree and a fashion career!

Tip 1: Pursuing Your Passion
If you are interested in pursuing a fashion design degree, it’s important to evaluate whether this is the right field for you. Do you see a fashion design and think about how to make it better? Can you not stop yourself from going through every magazine and critiquing the looks? Are you constantly altering you and your friends’ clothes? If you answered ‘yes’ to these questions, then fashion design school is probably for you!

Tip 2: Choosing the Right School
Now that you know fashion is your passion, the next step is choosing a fashion school that meets your needs. You need a school that has state-of-the-art equipment, that hires fashion professionals to teach its courses, plus one that is extremely connected to the current fashion industry. Are you looking for a school that is located in a metropolis? Or are you looking to take fashion classes online? This criteria will help you narrow in on the fashion school that is perfect for you!

Tip 3: Study, Study, Study
Now that you are in a fashion school that meets all of your prerequisites, you need to do well! This means picking the correct fashion courses to fulfill your degree and focus. Read each course syllabus thoroughly and create your calendar according to when assignments are due. Take notes during class and go over them before you attend class again. Give yourself plenty of time to complete your design projects – more than a week. Do not skip parts of your projects: draw a rough draft, select colors, make patterns, etc. Mastering correct study habits and your creative process early on will help you in your fashion future.

Tip 4: Make Connections
You go to classes, are doing extremely well and have most of the basics down. Now you need to take a look around you. What other students are doing well? Which instructors really stick out in your mind? You should volunteer to collaborate with them; offer to do extra projects with them and meet with your instructors if at all possible. The best way to make it in the fashion world is to pave the path with people that know and like you!

Tip 5: Put Yourself Out There
Now you know how to ace all your classes, create the fashion designs you love and you know your peers and professors. It’s time to take the plunge and put yourself out there: get a fashion internship! Your fashion school has connections and resources that you can only utilize as a student – take advantage! If you keep putting it off until after you graduate, you are missing the opportunities currently available to you.

By following these five fashion school tips for success you will be well on your way to a successful fashion career!

The Big Four Fashion Weeks: New York, London, Milan and Paris

The four major Fashion Weeks are held semi-annually and internationally. Each one of the Fashion Weeks has a unique style, all their own.

In 1943, New York held the first Fashion Week, and has been the quintessential idea of fashion week ever since. Now known as the Mercedes-Benz Fashion Week, it does seem to be the most commercialized of the big fashion shows, in that the clothes are created ready-for-market. Its styles and designs are arguably a lot ‘safer’ than the other three locations.

In 1984, London jumped on the fashion train and recently has been making a splash with its high-end couture. London Fashion Week has not yet reached the commercial level of New York and is less likely to follow fashion trends. Rather, each London fashion house showcases its unique take on fashion-forward concepts, and their collections are still market ready. The heavy hitters in London like Richard Nicholl, Christopher Kane and Giles Deacon are all amazing designers who produce commercially viable collections that would stand out at any of the fashion shows around the world.

Milan’s version of the week was established in 1958 and is part of the Big Four internationally. It is owned by a nonprofit association which disciplines, coordinates and promotes the development of Italian Fashion and is responsible for hosting the fashion events and shows of Milan called Camera Nazionale della Moda Italiana. The original Italian Fashion Week was not held in Milan, instead it was held in Florence at the hands of Giovan Battista Giorgini. He held the first “fashion parade” in the living room of his house “Villa Torrigiani”. Then the Italian week later moved to Rome, and then Milan where it is currently held in haute style today.

Paris is known as the fashion capital of the world, and holds the finale position in the fashion show tour. Paris Fashion Week brings each season’s chaotic schedule of international fashion weeks to an end. High-end French designers include: Christian Dior, Coco Chanel, and Louis Vuitton along with many more stunningly talented designers. Typically, Paris has some of the most extravagant shows, especially with Paris Couture Week.

No matter which of the Big Four is your favorite, each week is sure to dazzle its audience with new haute couture designs year after year. In addition to haute couture trends, innovative fashion designs have also been making a big impact, especially in New York, the only location that allows a fashion school to feature its students’ designs, which are often very fresh and inspirational. It is definitely important to keep up with the latest runway styles from all four weeks to stay on top of upcoming trends for the next season.

High Fashion Modeling Requirements As an Editorial Model – More Factors Than Just Tall and Skinny

Educating yourself to recognizing what editorial print modeling realistically “looks” like in a high fashion magazine is the first step to understanding the variations of the different types of editorial modeling and how it is different from the other more common types of “commercial” print modeling work. Editorial work in a magazine is a huge “jump-start” for a fashion model’s career. It is the experience many strive for.

“Editorial” print modeling refers to “magazine experience” for the model where a “story” is being told without words, but rather by photographic pictures (or groups of pictures) of the model in a high fashion magazine. This type of print modeling carries a very “prestigious” landmark on a model’s career. Its’ work includes the current fashion and beauty trends of society by showcasing designers, make-up, hairstyles, skin care, etc. as told and expressed via a pictorial story. Editorial modeling can even tell a story about all of the different aspects of people’s lifestyles. If you pick up any high-end fashion magazine you can find numerous examples of editorial print work.

Some editorials in magazines are considered so prestigious because they set the standards and trends for the current and “near future” of the market that the pictorial story is being told about. Refer back to those magazines that are from months, years, or even decades ago. Somehow, the editorial pictures you may find from that period of time have been a part of the history of fashion, beauty, or lifestyle as represented by that magazine’s staff.

Who thinks of the concepts of editorial stories in those elite high fashion magazines? There are teams of people all over the world who work for the various high-end magazines that have their input. These people write and create their concepts of what styles, models, designers, and trends are “IN” for any unknown given period of time. That makes them a very important part of the modeling industry. When glancing through those magazines you should note that an “editorial” is not an advertisement for any “specific” company, so if you see one specific product being advertised with its’ logo, then it’s an ad…that’s something different called a commercial print advertisement. If it “looks” editorial, but you see the company name in large print…it is meant to tell a story for that company’s image of what they want to sell to the consumer. High end fashion and beauty clients can place some creative, multi-page print ads into magazines that may mimic an editorial spread. The biggest difference is the rate that the model gets paid for doing a commercial, fashion ad for a high end client versus an editorial fashion spread for a magazine.

For the purposes of editorial modeling, pay close attention to how expressive, awkward, dramatic, artistic, and creative the poses of the model are versus the more refined poses you would see in a catalogue that emphasizes selling the clothes as #1. Remember, the editorial model promotes the story and concept via editorial pictures in magazines where the main emphasis is on the story or trends. In the magazine’s editorial (pictorial) spread there will be some sort of reference to names of designers and the cost of garments and/or accessories that are being featured, but it is not meant to act as a dedicated advertisement.

These magazine spreads get a lot of attention. Surprisingly, even though the editorial model is a strong statement in the “story”, it is only unfortunate for the model that this is NOT a high paying job (maybe only a few hundred dollars). This may be one of the only drawbacks of being an editorial model in the beginning. When you need the money probably the most (if you haven’t saved enough money to last you through this phase), this income doesn’t go very far in paying the high bills that go along with living and working in the “big city”. Most would expect models appearing in a famous high fashion magazine to be compensated well with money, but they are not because it’s not a paid advertisement by a client. It is a special feature created and presented by the magazine.

Apparently, from the fashion industry’s view, it’s the “prestigious” experience that has a lot of value to the model, so models have accepted this reality (whether or not it’s really fair). After all, when the magazine hires a model for an editorial spread they are hired to perform their service as a model representing the magazine’s concept and creative story…it’s a booking. It’s not a tax write-off for the model. The potential tear sheet may (or may not) bring more prestige and work for the model because truly it is not guaranteed no matter what anyone tries to offer as a reason to work for such less money. The magazines do play such a major role in the modeling and fashion industry that it’s a tough argument on the model’s behalf. The magazines rather monopolize on this fact, of course, so they will always find another model looking for their big break who will accept their terms. Could those famous fashion magazines afford to pay their featured editorial models more money? Only they know.

Remember this fact; everyone is replaceable in the modeling industry. It’s a harsh fact, yes. The ideal goal is to work and to adapt until you decide you don’t want to model anymore (before the industry decides you’re done). It doesn’t quite work that way because trends change, models age, and new-faced models pop up all over the place. There are more reasons, of course, but the fact that there will always be someone else to replace any model is why magazines do have that power to pay very low for their editorial placements.

Eventually, on the very positive side, it seems that the experience of editorial print modeling does lead to more money and prestige because of the increased exposure, tear sheets, and the demand for future bookings from clients who do pay more money (and that is pleasing). The editorial model is a standard of what the “beauty and fashion” message is for that moment in time, so everyone wants them. When an editorial story features that model, they are literally given a seal of approval as representing who and what is IN. So, moving on from the fact that it’s not even a little “high paying” job can lead the open-minded model to keep their business mind open, too. Consider the MANY, MANY “pros” to the model from the editorial experience. This part of their career rarely happens to a large percentage of aspiring models, so the #1 “pro” is that they are super-fortunate to even appear in and get tear sheets from a high fashion magazine.

Being realistic, there are many successful “commercial” print models that would have really loved to have been a high fashion editorial model, but they never had that opportunity. Once again, models are subject to other’s opinions and standards that control their career’s general success. There are things that models can do to increase their “editorial” skills and “look”, though, but there are just some models who will never get their chance at editorial modeling even though they may be uniquely beautiful, outwardly gorgeous, or even perfectly reach the standard sizes required of editorial models. It’s not easy to compete with the concept of “editorial” beauty, so your modeling career should be balanced if you strive for such a “prestigious” role. If the editorial modeling style is what you think you really want to do, you need to remember that those editorials may not pay your bills alone in itself, so that’s an area where a model should be well-rounded and versatile in many other types of modeling that can help supplement their income. There usually is no time for a busy fashion editorial model to have another job because a model has to be very flexible with their time for going on bookings, go-sees, fittings, etc. Establishing a back-up savings of money even in the early stages of a modeling career is crucial to hold you over as you build your career.

Things in the fashion industry can change quickly, so this can work toward your advantage if you are very close to starting your editorial modeling career, but the changes can be more harsh if you’ve already been established as an editorial model because many insiders within the industry will know you’re on the way down when the magazines stop booking you. That is the time to branch out to other modeling opportunities if you still want to work as a model. Editorial modeling is relatively for a very short period of time in most models’ careers, so the model that is fortunate to model as both an editorial and then a commercial model may see the long-term success in their career through the years.

If the opportunity for success happens, it is a wonderful landmark in the model’s career, so use it wisely. This is an opportunity to be positively recognized, so show your potential as being dependable, professional, and adaptable. Don’t blow the opportunity away by acting immature or childish. Being professional doesn’t mean being uptight and boring, either. There are interpersonal, social skills that need to be adapted for different occasions. The editorial model has contact with such a wide range of industry professionals that each has their unique role with diverse personalities.

REMINDER: Your life is your personal business, so be careful of what and how you communicate because first impressions are hard to change. For example, being late is very, very bad. Also, complaining can be annoying. Having a free-spirit can be youthful, but there is always a correct time and place to be a part of every party scene (and there are pros and cons to that which can make or break a model’s career if they don’t use any self-control appropriately in their lives.) Relationships do form with people over the span of a model’s career. Some people may be there for a very short time, but other relationships can last for years. It’s an industry of “acquaintances” that really have fewer “real” friends, but as long as you know your place and your role in the industry you can keep a better sense of who’s really there to help you. People tend to have motives that are self-orientated, so keep your eyes on people that can help you and be prepared to offer them the type of relationship that is okay with you, but not so they are taking advantage of you. This applies to relationships with other models, photographers, agents, clients, etc. There can be real friendships, and there can be golden opportunities made with the right people at the right time, but keep your “radar” on for people scamming or exploiting you.

The fashion industry is a fast, complicated institution full of many eccentric individuals. To please one individual may not be pleasing to another, while to please the RIGHT one may launch a young model’s career. There is an element of trend “followers” involved in responding to whatever the trend “setters” say is IN the moment, so the industry is truly guided by the elite, high fashion magazines. What does an editorial model look like? Back to the trends, this answer can have variations dependent upon the moment or particular designer. On average, an editorial model is not the standard, classic beauty that most people think of as being considered “pretty”. There are exceptions, but there must be something very unique and special that can make the model stand out. Often, editorial models have a somewhat quirky look that stands out as obviously unusual. Odd and exotic looks, very tall height, slim built bodies, and models who have the ability to be “chameleon-like” in their appearance are candidates for consideration as an editorial model. It sometimes is an odd personal experience for the model that felt awkward and different growing up and then they are placed in a unique position where they are made into fashion objects of beauty.

Editorial print pictures are artistic and expressive without words, but at the same time are meant to show the garments you are wearing, or whatever image the model is promoting in the best way possible. The poses are much different than catalogue, and the way the body is expressing the story requires a talent. Some may call the talent “acting”, and it’s a modeling skill that only emphasizes the importance of what every good model should possess. The skill of being a chameleon that can change to the mood of the moment easily is much easier to work with versus having the same looks over and over all of the time. When an editorial piece in a magazine is about showing an “edgy” look and a pretty model just wants to show how pretty she is…she has failed. She has failed herself, the photographers, the stylists, the designers, the magazines, and ultimately the consumer who sees this editorial pictorial story and gets the entirely wrong concept from her “pretty” picture. It’s not about how the model is supposed to feel about themselves, but rather doing the job that the model is booked for…a.k.a. whatever the client wants the model to portray (for instance, a.k.a. “edgy looking” model or “retro looking”, etc.). The model should always have a mental note in their mind of the “concept” that the client wants to see and bring it out in front of the camera (or on the runway). Editorial jobs are for the top potential models. If a model feels ugly or weird in what they are modeling for a magazine editorial, they must dig deep and find a way to make the concept exciting or very interesting to match the conceptual idea of what they are modeling.

One job leads to another very quickly when the models start doing editorials, but remember that this stage may not last very long. Enjoy the adventure and any perks because they just don’t happen for most models in their careers. There are so many people all over the world who dream the same dream of being a famous model and their fantasy never gets fulfilled to what they expected. So, when the elite opportunity arrives you should be aware of how fortunate you may be considered in the eyes of other models that may not have “walked in your shoes”.

For any given number of reasons, modeling is not always a highly successful occupation even for the talented person. The work is not always glamorous, either, even though the finished product in a magazine or couture fashion show may appear that way. On a positive note, models can be exposed to some small and very large perks, too. Perks are based on what you may each consider above and beyond what you actually earn in money as an extra bonus that’s not measured on your income tax statement (such as meeting celebrities, attending parties, etc). Your booking rate can increase with the more you become in demand, too. When a model is seen doing editorial spreads in different magazines…they are becoming in demand! Even though the “editorial” rate is low, this popularity branches out into a variety of other options for the model’s career that makes them very, very busy as a professional, working model.

Editorial modeling in a high fashion magazine is a PRIME booking for a model that is serious about having a career in modeling. It is not the type of assignment that you can get in most U.S. cities. New York City is the fashion capital of the United States and it is where the opportunities are for high fashion editorial work. There are other cities internationally that have a lot of editorial work, too, so a model’s willingness and financial ability to relocate and travel is a “must” in order to increase their chances in appearing in any magazine spreads. Not all American models start their high fashion careers in New York City. Many obviously want to, but few get the right opportunity. Agents may recommend that they gain more experience and exposure overseas where there are many magazines and opportunities that may help their career get better established before they venture around New York City. (We’ll discuss more about international modeling, later.)

It takes a special type of model (physically & mentally) to get a grasp on what is required of them in this type of specialty. Rejection is a big part of this career as common as the many, unfulfilled dreams. A model must cope with the reality that they are always being critiqued by many others. For the individuals who have been “good-looking” and socially accepted their entire life, it sometimes is very hard to deal with rejection based upon their “looks”. It’s not easy to take personal criticism, but the better you are at preparing for the worst comments, the better you may be at not being caught off guard. Letting it ruin your day is much better than ruining your career and self-esteem because you will need to have confidence in your skills as a model.

Your personality should adapt as you see more of the modeling industry as an insider. It may sometimes feel as if you are using every bit of your patience and self control in not trying to stick up for yourself to the many different people who may drive you crazy, but always remember what will be best for your success as a model in the long run. Don’t lose control nor lose focus of what your job is as a model and who you represent regarding the client and your modeling agency. Anything that you experience as a model that is unpleasant is usually nothing new to most other models that have worked for a little while, so hang in there and do your best to cope because there will many other models who will not be able to take the heat and drop out of modeling as quickly as they began their dream. It may sometimes be lonely or scary when you’re far away from family and friends, so you may quickly assume more independence without their support over time.

You’ll be facing issues in a modeling career that other people your age may not encounter in their job description such as nudity. In high fashion, there’s no room for too much modesty, either, because the model’s body is stripped down, dressed up, and stripped down again from client to client and garment to garment as part of the fashion business as a live mannequin (a.k.a. models). Your face and your body are part of the package used to promote the fashion story on the runway or in magazines (versus nudity for pornography). There’s a fine line between what is “accepted” in fashion that uses partial nudity versus that what the model is “expected” to portray intimately for pornography. Fine art using nude models or a revealing high fashion designer’s haute couture versus modeling nude on a website or in a pornographic magazine have different standards and is viewed by the industry as such, so be aware from the very beginning of what you are comfortable with.

Often, it’s not just modesty that is sacrificed in a model’s career that causes their parents to be on guard. Models may be placed in many scenarios that they are not familiar with and they need to trust that they are safe when they feel vulnerable. This is where the high fashion model’s agency is the key to managing its’ clients and models. Models change in front of each other and clients sometimes, wear provocative garments, and sometimes are told to act sensually with others (male and female) in front of the camera and on the runway. This is a part of high fashion editorial modeling, too, where modesty can hinder the model’s ability to perform and get the final results.

It appears that when you add in the actual physical requirements of the editorial model you may see the numbers dwindle down to who actually gets an opportunity and succeeds as an editorial model. The female editorial model is anywhere in her teenage years aged 14-19 (on average) and is very, very thin (size 0-2…maybe size 4, depending on trends) and very tall (5’9 -6’0″). She won’t have very large breasts (under 34 C-cup), nor body piercings and tattoos. (*unless approved special circumstances). Add to her body’s physical requirements a “uniquely” beautiful face with interesting features and the average number of qualified females dwindles down even further. Remember, sometimes it’s not a typically “pretty” girl who photographs like a strong, chameleon-like, editorial model…sometimes a “pretty face” just photographs as a “pretty face” and that’s not always interesting in the fashion world.

The standards for male models are somewhat similar, but their age is older (average 18-25) and their height should be 6’0″ wearing a size 40 suit with approximately a 34 inch inseam. The male models should be lean, cut, and fit versus having too many bulging muscles that don’t fit in his clothes. He, too, must be where the editorial work is either in the U.S. or internationally. The male model may face his own obstacles when faced with what is expected of him, but there are many shared basics of modeling between female and male models relating to the industry and facing rejection.

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Wholesale Fashion Jewelry – 5 Shortcuts to Retail Success

Something in the human spirit is always itching for independence and this itch translates to a constant flow of new entrepreneurs that so often gravitate towards fashion jewelry. What is so irresistible about this accessory? Beyond the high profit margins that wholesale fashion jewelry can open for retailers lies an intrinsic beauty that creates truly wearable art. Yes, wholesale fashion jewelry offers plenty of profit potential that enables retailers to turn small investments into the longest mark-up in the fashion industry, but the magic of fashion jewelry’s beauty stops consumers in their tracks and this magnetic attraction, more than anything else, brings the entrepreneur into retail sales specializing in jewelry.

Many of these new fashion jewelry businesses begin on the simplest level with retailers buying wholesale fashion jewelry and presenting it to friends and co-workers. Easy sales and new found profits ignite a fire to grow the business, but what step comes next? As a twenty-five year veteran of the wholesale fashion jewelry industry, I have seen business after business start in this way and often grow to become the major supplier of fashion accessories in a community. The learning curve never ends as fashion jewelry evolves as well as retail tactics, but some things never change and these key techniques will have positive impact on your fashion jewelry business.

But first, how are you going to sell your treasure of wholesale fashion jewelry? Outgoing personalities love the active sale. Visit businesses, do parties, set up in flea markets or craft shows, and bubble over with enthusiasm as you introduce stunning fashion jewelry to consumers. All they need is a crowd and permission to set up. Bingos, festivals, school picnics, car shows, sporting events-the list is endless. Overhead is low and actually stops when not engaged in sales activities. But so does sales, so many prefer brick and mortar businesses with a higher overhead, but continuing business even when you’re not there.

The quieter, methodical personality may not be up to this bubbling enthusiasm and choose a passive sales mode. Successful businesses often build without the entrepreneur ever engaged in active sales to the consumer. They connect with beauty shops and other locations to provide fashion jewelry on consignment with the owner profiting as well as the entrepreneur. Methodical personalities think out the details like how to handle shrinkage of missing items with no sales recorded. Increasing price and lowering consignment fees compensates for losses when fashion jewelry has open exposure that can result in more shrinkage. The flip side is reduced sales in secure environments like showcases or behind the counter, which reduce shrinkage, but unfortunately, also sales.

Okay, both personalities have a selling method they are comfortable with and both can expand their business with online marketing by working on websites while their sales support them as the websites grow, climbing higher in the results of major search engines. But what about the 5 shortcuts to retail success? They boil down to pricing, selection, presentation, knowledge, and benefits.

-First comes pricing the wholesale fashion jewelry. New entrepreneurs often feel shock waves as they see the wholesale cost compared to retail prices they paid as consumers. The first temptation is undercut all the competition. Stop there!-because fashion jewelry is cyclical and low prices generate low profits that don’t carry retailers through the tough times. Do you want to spend all your earnings on restocking wholesale fashion jewelry and covering overhead? Of course not, you want to grow your business and make a profit and pricing is important.

Retail uses a term called keystone-a nice word for doubling the wholesale price. Make keystone the minimum for mark-up in fashion jewelry and look for the items that give you room for far longer mark-ups. The upside has no rules. Let your intuition guide you because prices can always come down, but it is difficult to go up.

-Next comes selection and this is a factor that major retailers like fine department stores are always struggling to get right. Stroll through one and you will see they have reduced staff on the floor so selection often has to sell itself. The fine department stores need “no miss” choices and have resources, forecasts, statistics, and trained buyers to make these decisions. Small retailers don’t need to be discouraged because this isn’t rocket science and you are closer to the clientele in your location than any major retailer.

Making the perfect selection rests on the age and demographics of your main customer base. Add this to the fashion trends of the season and you are close to perfect. How do you keep up with all those rapid changing fashion trends? Well rapid change is a myth. Trends change very slowly-often over a decade. Yes, colors and subtle adjustments occur every season, but today we are in the midst of classic trends that started in the early 21st century and have a promising future. More on this when we cover knowledge.

-Now for presentation-making the fashion jewelry look special. Ever notice how necklaces clumped together on a tee bar on top of a showcase seem to scream “I’m on sale” while the stuff in the showcase whispers “I’m special”. That’s presentation and how it has changed even for fine department stores.

Teri Agins in The End of Fashion details how department stores that were once “the first visual contact with fashion” and “introduced merchandise concepts to customers” changed in the late 20th century to a collection of brands. Agins quotes one upscale shopper who “was appalled when she discovered $19.99 Nine West shoes displayed right next to $350 Chanels” in her favorite department store that was compromising its image of elite fashion. Make an item look special and it takes on the perception of higher value.

-Next comes knowledge that is worth more than price. Don’t believe it? Think of items you bought because the sales person impressed you with a deep understanding of the product. That was worth more than price. I personally experienced this lesson when I did a trade show with a colleague. I told my customers the fashion jewelry was a real value at the price. His sales person painted a word picture of the wholesale fashion jewelry with the season’s apparel and wrote more orders without the customers even knowing the price.

Knowledge is knowing the trends and knowing the item. Consumers trust a well-informed source and when you know what is today’s style and why it looks right on the customer, you remove the burden of choice from the buyer.

Knowledge today goes deeper because classic trends in fashion jewelry bring gemstone components, shell, Murano style glass, Millefiore, and more to jewelry designs. A story is worth volumes in explaining glass jewelry and knowledge of gemstones that removes the doubt about whether it is real. Don’t be overwhelmed about understanding the trends and knowledge of today’s components because everything is detailed in a report, Wholesale Fashion Jewelry-The Magic of Trends (find a link to the report at the foot of this article).

-Finally there are benefits. Think of benefits as vision-what the customer envisions. Anyone that buys fashion jewelry wants to make a positive statement. They want a look that is flattering and appropriate. So like the car commercial running on the radio, features describe the details like length, color, texture, and shape while benefits say “matches apparel while complementing your complexion”, “draws attention to your slender neck”, or “creates a youthful look that is so you”. The old adage of sell the sizzle, not the steak, gets to the point. Pick the right item for the customer, be sincere, and sell the sizzle.

Choosing Fashion Accessories

Would you like to improve and update your appearance, at the least in terms of your fashion accessories and style? If you are, you may not just want to look at the latest in fashion trends, as far as clothing, but you may additionally like to examine the latest trends in fashion accessories Fashion related accessories are quickly increasing in popularity, though many people still have no real idea exactly what they are.

In relation to fashion accessories, you will find that a wide variety of differing products are included. Fashion accessories, such as fashion clothes and such items, come in a number of differing sizes, shapes, and styles. You can find fashion accessories that are created for young kids, teenagers, men, women, small sized, and plus sized people. A few of the many fashion items that you might find at one of your local fashion shops or on-line stores are described here.

The most popular fashion addon items is jewellry. As was previously discussed, fashion accessories are designed for all varieties individuals, regardless of age or gender. For teens and children, fashion jewelry items that are fashionable often include colorful pieces, including charm necklaces or charm bracelets. In terms of men, a very popular type of jewellery often includes large pendant necklaces, many of which display a cross or another popular or significant symbol. As for ladies, trendy items of fashion jewelry consist of earnings, rings, necklaces, bracelets, pins, and so on.

Another type of fashion accessory that you may have an interest in buying is a purse or even a handbag. Teens and women most commonly own purses and handbags. A purse is often used to describe a bag which is smaller or compact in size and handbags tend to be a little bigger. Handbags and purses come in a number of differing styles; therefore, it’s common for many ladies and teens to possess more than one purse or handbag. Actually, many individuals out there prefer to match their fashion accessories, including their purses and handbags, with the clothes that they wear.

In conjunction with handbags and purses, travel bags can be considered a fashion accessory. Travel bags are much like purses and handbags, except you will find that they’re often created for both females and for males. A travel bag might include a smaller bag that can be used as a carryon bag for an airplane ride, a diaper bag, as well as a laptop carrying case and so on.

Shoes and boots are also considered a fashion accessory, although many do not necessarily think them to be. Most often, females’s shoes and boots are considered as fashion accessories, as opposed to men’s shoes and boots. Certainly one of the reasons for that is due to the large choice of females’s shoe styles that you’ll find available for sale. For instance, it’s more than possible to find athletic shoes, casual sandals, elegant sandals, flat dress shoes, high-heeled shoes, and so forth. As with handbags and purses, many women own multiple pairs of shoes and many endeavor to coordinate their footwear, particularly for work, with the rest of their ensemble.

Another one of the many differing types of fashion accessories available for purchase are belts. For a lot of men and boys, belts aren’t necessarily considered a fashion accessory, as much as they’re a way to hold pants up; though, the same does not actually ring true for females. women’s belts come in a number of differing sizes, shapes, and styles. That is definitely one of the reasons why females’s belts and belts which may be designed for kids and for teens are often considered as fashion accessories. One can find belts out there that are created for wearing with an informal pair of jeans, as well as a pair of conventional kaki pants for work.

Belts, handbags, purses, travel bags, jewelry, and shoes and boots are just a few of the countless fashion accessories that you may be able to find for sale at one of our local fashion shops or even online. As a reminder, fashion accessories are a great way to spice up any wardrobe, especially one that can use an updating.

The World of Fashion

Fashion is one of the most interesting subject in the world. Its an important aspect in most culture. Different clothes are worn in different cultures. There are number of colors and variety of clothes that are worn by different people in different regions of world. There are number of different styles, colors, clothes and accessories.

Fashion represents one culture different to the other. Fashion is one the great way to express ones feelings. Bright colors show happiness. And the opposite colors will show probably sad, and especially at a day like that everyone is wearing black. Fashion also depends on mood and situations. People dress up as per the occasions. On some happiest moments of life or any party or wedding people love to wear bright and stylish clothes. And on some sad situations or on lost of someone people mostly dress up with white and black dresses, depends on their region or culture.

So fashion is the only element that makes your day special with your love ones. If we talk about India, then India is very rich in using bright colors, long dresses specially on some special events and occasions. India has number of cultures and festival in it. For every festival different styles of clothes and appearances are used.

Fashion shows are also playing an important part in spreading fashion. Fashions shows play an important part in spreading one’s culture and fashion in other cultures. Through fashion shows people know about fashion of different cultures, try to grab them and no doubt we love the fashion trends of others and always remain interested in knowing others’ fashion.

These days number of fashion shows and fashion weeks are organized in different parts of the world, showing different cultures, variety of clothes with number of styles and attractive colors. Fashion shows have become an important place to know about new fashion and fashion trends. Fashion shows are organized on corporate levels and number of celebrities and common people participate in it to get the ideas on new fashion and clothes.

Sharing New Hampshire’s Big Backyard

For an East Coast state, New Hampshire has a fair amount open space. There would seem to be plenty of room to accommodate a relatively clean way to meet the region’s energy needs.

But many Granite Staters think of the forested, mountainous northern woods as their backyard, so I suppose the usual cries of NIMBY were inevitable.

Hydro-Quebec, the Canadian company that is the world’s largest producer of hydroelectric energy, wants to export more power to the Northeastern states. In 2010, it established a joint venture with Public Service of New Hampshire, the aim of which was to build a 180-odd mile power line from the border into the southern part of the state, where it will tie into the regional electric grid. The project is called Northern Pass. Most of the power the line would carry would ultimately be consumed in other New England states to the south, though some of it would be available in New Hampshire.

The controversy in New Hampshire over Northern Pass is intense. As with the Keystone XL oil pipeline, a presidential permit is required for the cross-border project to move forward. In order to try and secure the permit, Northern Pass’ backers made changes to their proposed route earlier this year, burying a couple of small segments and rerouting parts of the line – partly to make it less visible, but also in response to a new law that makes it impractical to obtain rights of way via eminent domain in New Hampshire. The line will now have to be built on land bought or leased by the utilities, along existing power line rights of way, or along other public rights of way such as highways.

The line as proposed would cross a largely rural and sparsely populated part of the state. Critics say it would cross the “protected” White Mountains National Forest (1), but in fact, the proposed line does not cross any legally designated wilderness or other wildlands. National forests are managed for multiple uses, including timber harvesting and other commercial development. While the project runs through areas that are subjectively scenic, that is not the same as protected. Some opponents want the entire line to be buried (2), which is economically impractical. Others just don’t want it built at all.

Some of the objections are to further hydropower development in Quebec’s nearly uninhabited north. Such development can certainly have significant environmental impact. However this, like the Canadian oil sands development, is a matter for Canadians to manage. The country certainly does not lack a well-developed conservation lobby that will make its positions clear. But Canada’s economy is also built heavily on resource extraction, so “just say no” is not as powerful an argument up there as down here.

Some Northern Pass opponents criticize the perceived lack of benefit directly to New Hampshire, since the power would likely go mainly elsewhere, at least at first. This position seems to rest on the assumption that the state is somehow divorced from its regional electric grid or the New England economy as a whole.

And some objections are to the assumed greenhouse gas emissions of vegetation that would decompose under the hypothetical Quebec reservoirs built to furnish power for export. As is often the case with environmental advocacy, these objections fail to consider the other side of the equation.

Hydropower itself generates no significant carbon emissions once reservoirs are up and running. Hydropower consumed in the Northeast would largely displace power which would have otherwise been generated from natural gas, which releases some carbon; oil, which releases more; or coal (from out-of-region producers), which releases the most of all. Over the long term, more hydropower means less carbon emission.

Hydropower would also drive another nail into the coffin of the viability of New England’s aging nuclear power plants, for which this country still has no long-term waste disposal solution. This is a cost which is mostly omitted from the price of the nuclear power we consume today.

The objections to Northern Pass, taken collectively, mostly boil down to good old-fashioned not-in-my-backyard syndrome. My guess is that the Obama administration will happily delay a decision as long as possible, maybe long enough to dump the problem into the lap of the next president. After all, President Obama has yet to work up the gumption to finally make a call on Keystone XL.

Canadian hydropower is one of the best long-term solutions for supplying energy to the Northeast, where the current, overpriced power options are a major impediment to the region’s economic growth. (I like to call it the “Con Ed tax,” in honor of New York City’s wildly expensive hometown utility, but the problem exists at varying levels region-wide.) We can meet the Northeast’s power needs in ways other than with Canadian hydropower, of course. But doing so will require burning a lot of that newly cheap and available gas from hydraulic fracturing, better known as fracking, in the nation’s shale reserves. That would be OK with me, but I think economists and environmentalists could actually agree that a more diversified, less gas-dependent energy portfolio would be better for the region and everyone in it.

Northern Pass or something very much like it would be a welcome addition to the energy options available to the Northeast. Here’s hoping there is enough of that old Live-Free-or-Die spirit left in New Hampshire to let the project move forward on its planned configuration of privately owned land and public corridors already set aside for transportation purposes. New Hampshire’s spacious backyard can easily accommodate clean power along with clean living.

Lincoln, New Hampshire Getaway

The goal of a romantic getaway weekend should be to find a relaxing and quaint place to reconnect with that special someone in your life. Ideally this should be a place far away from the hustle and bustle of your daily lives. That’s what makes a romantic getaway to Lincoln, New Hampshire the perfect east coast summer or spring escape.

Nestled in the shadow of the idyllic White Mountains, Lincoln New Hampshire has so much to offer for couples looking to spending a relaxing couple of days. When most folks think of a romantic New Hampshire getaway they might first think about a ski weekend. It’s true that Lincoln is home of the fantastic Loon ski resort which devotees flock to each winter season. But just because there is no snow on the ground doesn’t mean there isn’t going to be fun to be had in Lincoln, NH.

Many happy couples have discovered a unique treasure during their romantic New Hampshire getaway. During the summer months, the Papermill Theatre presents an exciting season of award winning shows. This is where professional Broadway actors, singers, dancers and designers come to spend their summer. As a result, the theatre is able to tap into an amazing amount of talent. Take in a show then stroll into the quaint town for a candlelight dinner. Can it get more romantic then that?

Outside of the theatre season, Lincoln also plays host to the Highland Games. This is the largest Scottish cultural festival in the northeast. If you’ve never tossed a log, listened to bagpipes or tasted haggis then this could be a fun and unique way to spend a couple of days with your significant other. You’re sure to make new friends. Even if you’re not Scottish, you’ll still be warmly welcomed!

Residents of Lincoln pride themselves on making guests feel right at home. On any given weekend there are treats in store such as murder mystery games sponsored by local businesses, as well as live music and karaoke at several clubs. There are also summer brewfests and a good ol’ fashioned 4th of July celebration. The kind of patriotic party that you’d expect from small town America.

Of course you don’t need to be kept constantly busy on your Romantic New Hampshire Getaway. There’s an amazing array of picturesque bed & breakfast inns in Lincoln for you to spend a quiet weekend together. Sit out on the porch and catch up on your reading or take a bicycle ride through town. Most of all the superb restaurants and cafes you’ll find in Lincoln will most likely be within walking distance of your inn.

Speaking of walking, there are also some amazing trails in the White Mountains. These Flume Gorge is the perfect place for packing a picnic lunch and spending the day among nature. This pristine mountain range is a National Park and as a result of that status offers up options for camping. The bottom line is that when it comes to romantic New Hampshire getaways, no matter what time of the year it is, you should think of Lincoln.

A Tourist Guide to New Hampshire’s Eastern White Mountains

1. Appalachian Mountains:

Stretching almost 2,000 miles from Newfoundland, in Canada, to Alabama, in the US, the Appalachian Mountains-or the eastern counterpart to Rockies in the west-form a natural barrier between North America’s coastal plain and its interior lowlands. Subdivided into three northern, central, and southern physiographic regions, they encompass numerous ranges.

Consisting of metamorphic rock formed by catastrophic eruptions, intense heat, and crushing pressure during the Precambrian Period of between 1.1 billion and 540 million years ago, the Appalachians constitute some of the planet’s oldest mountains. Rising during terrestrial crust upheavals at the end of the Paleozoic Era (about 250 million years ago), they were formed when interior crumbling of inconceivable proportions exerted strains on subterranean rock, which then buckled, folded, faulted, and cracked, before being counteracted by uplifting-sometimes into parallel ridges. Secondary shaping and chiseling, by water, ice, and weather over the millennia, produced valleys and ravines, at a time when plants and most animal species had yet to exist.

When the earth’s forces had subsided, they had left the highest peak, of 6,684 feet, in today’s North Carolina in the form of Mount Mitchell.

2. White Mountains:

New Hampshire had hardly been neglected when it came to elevation superlatives. Indeed, its own section of the Appalachian chain, the White Mountains, poked the sky with 48 peaks considered “four thousand footers,” several at least 5,000 feet in height, and the crown of its kingdom, 6,288-foot Mount Washington, the tallest peak in all of the northeast.

Glaciation had formed deep mountain passes named “notches” by early settlers because they resembled the shapes they had made in wood with axes, while cirques had produced the heads of ravines, such as Mount Washington’s Tuckerman and Mount Adam’s King ravines.

Man had also had a hand-and sometimes a detrimental one-in the shaping of New Hampshire’s section of the Appalachians. Striped of their arboreal fashion by the logging concerns that had purchased most of the land and then reduced it to shreds with the 1,832 area sawmills before being hauled away by railroads, they were left bare until the Weeks Act was signed into law and permitted the 1914 reacquisition of the original 7,000 acres.

Subsequent purchases, coupled with logging prohibitions in designated wilderness areas, ensured the establishment of 800,000-acre White Mountain National Forest, which today totes the slogan, “Land of many uses.”

Prominent in the state is its Presidential Range, whose peaks, as their name implies, are named after presidents and other prominent Americans.

Its abundant wildlife ranges from deer to mouse, black bears, bobcats, gray fox, coyotes, beaver, porcupines, raccoons, and 184 species of birds, including Peregrine falcons.

Although its protected status restricts its use, this limitation does not apply to its enjoyment, whose opportunities are plentiful and vary according to the season.

Abundant snowfalls re-dimension the landscape into pristine postcards and sports paradises during the winter, for instance, luring sightseers, tourists, athletes, and enthusiasts, as the mountains lend their sides and summits to world class resorts that facilitate a range of activities, including alpine and cross country skiing, snow boarding, snow tubing, snow shoeing, ice skating, snowmobiling, sleigh riding, ice fishing, dog sledding, and even frozen waterfall climbing.

Ablaze with color, the region becomes a never-ending canvas of Impressionism paintings in the autumn, becoming a magnet for photographers, leaf peepers, and naturalists. Color peeking depends upon time, elevation, and tree type. Red maples, for example, pinnacle at low elevations in mid-September, while beech, sugar maples, and birches reach this level a month later below 2,000 feet. This peak occurs earlier, at the beginning of October, between 2,000 and 3,500 feet, and yellow birch, mountain maple, and mountain ash glow with color intensity in mid-September between 3,500 and 5,500 feet.

However, the area’s peaks reach their greatest heights during the summer tourist season when its some two dozen sights provide natural scenery, links to its railroad past, family-oriented theme parks, and outdoor activities.

3. Orientation:

New Hampshire’s White Mountains, located in the northern portion of the state, are easily accessible, with Route 16, Interstate 93, and Route 3 providing north-south travel, and Routes 2, 302, and 112 slicing the area in an easterly-westerly direction.

4. White Mountain Sights:

A. On Route 2:

Santa’s Village, located in Jefferson, New Hampshire, and open from May to December, is a Christmas-themed park and allows children to visit the bearded man in the red suit in July, feed his reindeer, and enjoy 19 different rides and activities, including antique cars, a yule log flume, a flying sleigh, a Jingle Bells Express train, a roller coaster, and a waterpark. Live, 3-D shows are presented in the Polar Theater, and the Burgermeister Food Court offers an array of items for lunch, including the opportunity to decorate gingerbread cookies.

Single-, two-day, and season passes permit unlimited use of the park’s rides, shows, and attractions.

Six Gun City and Fort Splash is another family-oriented theme park in Jefferson accessed by Route 2, but with a western focus. Open between May and September, it enables its visitors to “ride, slide, and play all day” on attractions that include go-carts, laser tag, water slides, bumper boats, sawmill rides, mechanical stage coaches, log boats, and a Gold Rush Runaway Train.

Kids can earn a deputy badge from the sheriff or step over to the other side of the law and have their pictures adorn wanted posters.

A transportation museum exhibits more than a hundred antique carriages and sleighs, including the oldest Concord Coach.

Children can down doubles (of soda) at the Six Gun Saloon or have lunch at Grabby’s Grub House, and cowboy-related clothes and gifts can be purchased at the Trading Post and in the General Store.

The Fort Jefferson Campground, with its own swimming pool, offers 100 sites, from tenting to full hookups.

B. On Route 302:

Challenging mankind to surmount its imposing, 6,288-foot peak, and counting Darby Field as the first to have successfully done so when he had climbed to the top in 1652 with the aid of two Indian guides, Mount Washington has never ceased to entice people to duplicate his success. However, the present-day tourist can do so far easier, quicker, and more comfortably with the Mount Washington Cog Railway.

When Sylvester Marsh, a Compton, New Hampshire native and Chicago meat-packing businessman had followed in Field’s footsteps some two hundred years later and became entrapped on the mountain by a life-threatening snowstorm, he vowed to devise a method which would eliminate the ascent’s inherent dangers and make it accessible to anyone.

Securing a charter for a mountain-climbing railroad, whose concept was initially met with laughter by the New Hampshire Legislature and accompanied by the now-famous words that he “might as well build a railway to the moon,” he invented technology that incorporated a small, geared, below-locomotive cogwheel that meshed with the rungs installed between a tiny track and permitted the engine to pull itself up inclines as steep as 37.41-percent.

Successfully reaching its lofty goal and elevation in 1869, it has been running ever since. A National Historic Landmark, it is the world’s second steepest rail system and the oldest still-operating one.

Accessed by the six-mile base road next to Fabyan’s Station from Route 302, the Mount Washington Cog Railway offers three-hour round-trips from its own Marshfield Station to the summit by both steam and bio-diesel locomotives between May and October and one-hour halfway trips in November and December. All trains consist of a pushing engine and a single passenger coach.

Aside from featuring a ticketing office; a self-service restaurant, Catalano’s at the Cog; and a gift shop, the station itself offers a glimpse into early cog railroad technology through its Cog Museum and outside displays, which include the first locomotive to climb the mountain.

Views from the rocky, windswept moonscape summit encompass the northern Presidential Range peaks, and riders can visit the Sherman Adams Summit Building; the Mount Washington Observatory; the Tip-Top House, a National Historic Landmark; and the Summit Stage Office, where the world’s highest wind velocity-of 231 mph-was recorded.

A short distance from the Mount Washington Cog Railway’s base road on Route 302 in Bretton Woods is yet another namesaked attraction, the Mount Washington Resort.

Rising from the forest green, and always within the shadow of the mountain itself, this white facaded, red-roofed mega-mansion, one of the area’s original grand hotels, was constructed between 1900 and 1902 by Joseph Stickney, a New Hampshire native who had amassed his wealth in the coal mining industry and with the Pennsylvania Railroad, in Spanish Renaissance Revival style.

Built 250 Italian craftsmen, who applied meticulous detail to its woodwork and masonry, it featured a rare steel framework and innovative heating, electric powerplant, plumbing, and private telephone systems, along with its still-existent post office, transforming forest into luxury in the form of the grandest of the grand hotels.

Staffed by 350, it opened its doors on July 28, 1902, catering to wealthy guests from the northeast, celebrities, and dignitaries, including Thomas Edison, Babe Ruth, Joan Crawford, Princess Margaret, and three US presidents, who all had area access by up to 50 daily trains that served three local stations.

In 1944, it hosted the Bretton Woods International Monetary Conference, during which delegates from 44 nations established the World Bank and International Monetary Fund, setting the gold standard at $35.00 and designating the US dollar as the backbone of international exchange.

In 1978, the hotel was added to the National Register of Historic Places and nine years later was designated a National Historic Landmark by the Department of Interior.

Echoing its century-old elegance are its 900-foot verandah and “Great Hall” lobby, which features high ceilings and rocky fireplaces.

Other opulent era echoes sound in the form of afternoon teas in its Princess Room, five-star meals in the Dining Room, lighter fare in Stickney’s Restaurant, cocktails in the Rosebrook Bar, Verandah, or rock-formed Cave, operator-attended elevator, and hose-drawn carriage tours of the grounds, which are surrounded by the White Mountain peaks and Crawford Notch.

A 25,000-square-foot spa, with 13 treatment rooms, and two golf courses round out the amenities, the latter of which include the nine-hole, Mount Pleasant Course opened in 1895, and the 18-hole Mount Washington Course, which was restored to its 1915 Donald Ross design.

The equally Omni-owned Bretton Arms Inn is a bed-and-breakfast.

Across Route 302 from the Fabyan’s Station Restaurant is the Bretton Woods Ski Resort at Mount Rosebrook. It features 433 acres of skiing and snow boarding, 101 alpine trails, 100 kilometers of Nordic trails, four terrain parks, night skiing, and a canopy tour with ten ziplines, two sky bridges, and three rappel stations.

Other than skiing itself, winter activities include dog sledding, sleigh riding, snow tubing, ice skating, snow shoeing, and ice climbing, while summer sports include hiking, bicycling, swimming, fly fishing, tennis, and trail and carriage riding.

Dining options include Lucy Crawford’s Food Court and the Slopeside Restaurant in the base lodge and the Top O’ Quad Restaurant on the summit.

Further east on Route 302 is Crawford Notch State Park.

Discovered in 1771 when Timothy Nash, a Lancaster hunter, discovered a gap while tracking a moose over Cherry Mountain, its lands was promised to him by Governor John Wentworth if he could both ride a horse and construct a road through it-feats he ultimately achieved, despite significant topographical obstacles.

The area itself was named after the Crawford family, its first settlers. Establishing inns for travelers and forging the first path up Mount Washington, they conducted climbing expeditions.

Auto Accidents In Pennsylvania – UM/UIM Litigation

Um/Uim Litigation In Pennsylvania — The Game Has Changed

Traditionally in Pennsylvania, uninsured and underinsured motorist cases were privately arbitrated. Automobile insurance policies had provisions stating that these types of claims would be arbitrated rather than litigated through the Court system. Typically, the plaintiff would select one arbitrator. The insurance company would select one arbitrator. Those two arbitrators would then select a third or “neutral” arbitrator. The case would be tried in a far less formal fashion than a full blown jury trial. For example, medical records, police reports, expert reports, etc. would be submitted to the arbitrators, without the need to call the doctors, experts, witnesses, etc. to testify live. The decision of the arbitration panel would be binding — i.e., not appealable (except in very rare circumstances). A case that would take several days to try in a courtroom in front of a jury, and which would cost each party several thousand dollars to litigate, could be arbitrated in an afternoon for a fraction of the cost. This procedure was so beneficial to consumers, that the Pennsylvania Insurance Department made the arbitration provisions mandatory in Pennsylvania automobile insurance policies.

Then, in 2005, the Pennsylvania Supreme Court ruled that the Insurance Department did not have the authority to mandate arbitration in UM/UIM cases. The Court held that it was no longer mandatory under Pennsylvania law that UM/UIM cases be submitted for binding arbitration.

Therefore, insurance companies now had the option of now resolving UIM/UIM cases in arbitration. Insurance companies began writing their insurance policies in several ways: (1) mandating arbitration just like previously; (2) allowing arbitration if either party requested it; (3) allowing arbitration if both sides agree to it; or (4) allowing arbitration if it, the carrier, requested.

It has since become increasingly routine for UM/UIM cases to be filed in the Courts of Pennsylvania. Under the Rules of Civil Procedure, civil cases arising out of motor vehicle accidents can be brought in the county: (1) where the accident occurred, (2) in the county where any defendant can be served, or (3) in the county where any corporate defendant regularly conducts business. Venue which is proper as to any one defendant is proper as to all defendants.

In the context of a UM or UIM case, the addition of the insurance company as a potential defendant in the lawsuit arising out of a motor vehicle accident has increased the venue options for plaintiffs in many cases. Most insurance companies that write automobile insurance coverage in Pennsylvania regularly do business in many counties throughout the Commonwealth. Under the Rules of Civil Procedure, those insurance companies can be sued in any county in which they regularly conduct business.

The insurance companies have responded to this seemingly unanticipated aspect of their unilateral elimination of mandatory binding arbitration by including “forum selection clauses” in their insurance policies. A forum selection clause is a policy provision which states that if a dispute arises between the insured and the carrier in respect to a UM or UIM case, the case can be litigated only in a particular county. These clauses often reduce the number of viable venues provided under the Pennsylvania Rules of Civil Procedure.

The validity and enforceability of these forum selection clauses in the context of UM/UIM cases was recently addressed by the Pennsylvania Superior Court in the case of O’Hara v. First Liberty Insurance Corporation. In that case, the Superior Court of Pennsylvania ruled that a form selection clause in the insurance policy which required all UM/UIM cases to be brought in the county and state of the “legal domicile” — where the insured lives — of the insured at the time of the accident was valid and enforceable.

This latest opinion is yet another example of the Courts in Pennsylvania making decisions which make it more difficult and more expensive for the innocent victims of motor vehicle accidents to litigate their cases.